| Galley | 
     A  
        long metal frame (galley) that holds several pages of text. It is easier 
        to correct type in this form, before the text is transferred to page by 
        page forms. See Galley proof.   | 
  
   
    | Galley Proofs | 
     Also  “galleys,” 
        are proofs made from the text in galleys. These are early proofs; proofs 
        created near the finished version for final editing and checking are called 
        “page proofs.”   | 
  
   
    | Gamma | 
     More  correctly 
        Gamma compression or gamma encoding, is used to encode luminance values 
        into video signals or digital file values and decode back into luminance 
        values. As a practical matter, it refers to adjustments that can be made 
        to correct the monitor to more accurately display images. In photography 
        paper and film each have a nonlinear gamma that represent compression 
        of the highlights and shadows; some films and papers have a straighter 
        line, more linear, section between the highlights and shadows than others. 
        | 
  
   
    | Gatefold | 
     A  foldout in a book or periodical.  | 
  
   
    | Gather  | 
     To  assemble 
        signatures in the correct order prior to sewing.  | 
  
   
    | Ghost  | 
    Background  which has been lightened.  | 
  
   
    | Ghosting  | 
     The appearance  
        of an unwanted and unintended image on a page often from the other side 
        of the leaf.   | 
  
   
    | Gilding  | 
    The  application of gold leaf 
        to the edges of a book for decoration.   | 
  
   
    | Glossy  | 
     Short  for 
        glossy print: a photograph with a hard, shiny finish, preferred for reproduction 
        work. Also for coated paper, such as magazines.   | 
  
   
    | Glyph  | 
    In  typography, it is a graphical 
        representation or unit: a character, numeral, punctuation mark, dingbat. 
        For example, swash characters might include “ae” (two separate 
        characters) as one graphic units: “æ” (one graphic unit). 
        | 
  
   
    | Gothic  | 
      | 
  
   
    | Gradient  | 
     In  graphics, a gradual, bandless, 
        blend of colors; an even gradation from low to high values, such as from 
        white to black.   | 
  
   
    | Grain  | 
     Predominate  
        direction of the fibers in a sheet of paper.   | 
  
   
    | Gravure  | 
     A  printing process in which 
        the impression comes from intaglio plates, where the image to be printed 
        lies beneath the surface, whereas in letterpress, the image lies about 
        the surface.   | 
  
   
    | Grayscale  | 
     In  digital 
        images, each pixel carries its intensity information only---no color information. 
        Commonly there are 256 shades in a grayscale image running from pure white 
        to pure black.   | 
  
   
    | Greek  | 
    Also  lorem ipsum. Dummy text 
        used for page or text element design because it gives a normal looking 
        word and sentence length distribution. Studies show that when actual copy 
        is set, people are distracted from the overall graphic look or feel. Here 
        are 25 words: Lorem ipsum dolor sit amet, consectetuer adipiscing elit. 
        Proin facilisis nibh id magna. Etiam libero ligula, consequat et, dapibus 
        id, dignissim quis, lacus. Duis cursus. See:  http://www.lipsum.com | 
  
   
    | Gutter  | 
      Blank  space 
        in the center where tw3o facing pages meet. See gutter margin  | 
  
   
    |  Gutter Margin | 
     The  inner margin of a 
        single page.  | 
  
   
    | Hairline  | 
      | 
  
   
    | Half Binding | 
    A   half 
        bound book has leather or, today, some different material, covering the 
        spine and some portion of the front and back covers in from the spine. 
        See  full and  three-quater 
        binding.   | 
  
   
    | Half Title | 
     The  first page of a book 
        after the end papers. It has the book title only.  | 
  
   
    | Halftone | 
     “Continuous”  
        tone reproduction made by means of dots of varying sizes.  | 
  
   
    | Halos | 
    A small light to white circles that appear in a digital 
      image that has been oversharpened. | 
  
   
    | Handset  | 
    Type that is set by hand, letter 
      by letter, space by space, using a composing stick | 
  
   
    | Hanging Paragraph | 
     See paragraph. | 
  
   
    | Heading  | 
     
         
          Generally : 
              type set apart from a section of text, serving as a title or description. 
              Often display matter.   | 
         
         
          | Centered head: | 
          a headlined centered between the margins of the page, 
            text block, or column. | 
         
         
          | Chapter head: | 
           the heading for the chapter opening page. See 
            Chapter PDF. | 
         
         
          | Cut-in Head: | 
            a head placed in a box of white space cut 
              into the side of the type page, usually set in a different type 
              from the text. If it has a rule around it, it is a boxheading.  | 
         
         
          | Running head:  | 
          is a headline placed at the top of the text 
              pages showing the book, author, chapter, or subsection.  See 
              Running Heads PDF. | 
         
         
          | Side head:  | 
            a headline placed at the side of a page or 
              column.  | 
         
         
          | Subhead:  | 
          a heading that precedes a subdivision of a 
              chapter.   | 
         
        | 
  
   
    | Hickey | 
    A small blemish on a printed piece due usually to 
      a contaminating particle on a printing plate. | 
  
   
    | Highlight  | 
    The whitest part in a picture, 
      typically lacking detail.  | 
  
   
    | Hinting  | 
    Similar  to anti-aliasing. It 
        is a mathematical instruction contained in outline font (vector), such 
        as TrueType formats, that adjusts the type for better clarity and legibility. 
        | 
  
   
    | Hi-res  | 
      
        Short for high resolution, hi res refers to the 
          amount of detail an image holds. Not only are there no common standards 
          for what constitutes hi res, but the same image can appear softer (low) 
          or sharper (hi) irrespective of its dpi, depending on the monitor, printer, 
          paper, ink or the sobriety of the viewer. Dpi is not the sole criterion 
          for "good" or "bad" image resolution: Monitor images 
          are typically 72 dpi. Although a 72 dpi 4X5 inch image may look sharp 
          on a monitor, it holds far less information than a 300dpi 4X5 image, 
          and it won't print well. However, a 300dpi 4X5 image could be converted 
          to 72dpi, without resampling, and none of the detail or information 
          will have been lost.  
        
           
            |   | 
            DPI  | 
            Image size  | 
            File Size  | 
           
           
            | Original | 
            300dpi | 
            4" X 5" | 
            5.2MB | 
           
           
            | Resized-no resampling to 72dpi  | 
            72dpi | 
            20.8" X 16.7" | 
            5.2MB | 
           
           
            | Resized-resampled | 
            72dpi | 
            4" X 5" | 
            360KB  | 
           
           
            |   | 
              | 
              | 
              | 
           
           
            |   | 
           
           
            | The resized-resampled image won't print well, but 
              will look okay on a monitor. | 
           
           
            |   | 
           
           
            | The resized-no resampling image won't print well at 
              20.8" X 16.7", but if printed at 4" X 5" it 
              will be identical to the original image.  | 
           
         
        | 
  
   
    | Horizontal Scale | 
     In  computer typesetting, 
        adjusting the horizontal proportion of type—to compress or expand. 
         See Type PDF. | 
  
   
    | Hot Press | 
      A  method 
        of foil stamping by heating the type or die.   | 
  
   
    | Hyphenation | 
     Also  word division. Breaking 
        words at the end of a sentence to make the word and letter spacing of 
        a line of type more uniform.   | 
  
   
    | Imagesetter | 
     A  
        high resolution, large format, computer output devise. Commonly: it converts 
        digital image files to film from which lithographic plates are made for 
        offset printing. An imagesetter can also produce large negative or positives 
        for photographic printing or viewing.  | 
  
   
    | Imposition  | 
     The  layout 
        of pages on a large sheet, so that after printing and folding the pages 
        will appear in the correct order in the correct orientation. Generally 
        books sheets are multiples of 8 pages. See  form. 
        | 
  
   
    | Impression | 
     1)  All 
        the copies of a book printed at one time. 2) The amount of pressure on 
        a sheet on a printing press.  | 
  
   
    | Imprint  | 
    The  name 
        of a publisher, often with the place and date of publication, on the title 
        page; sometimes including a colophon.  | 
  
   
    | Indent  | 
    Starting  or 
        ending type inside the left or right margins.  | 
  
   
    | Inferior Figure  | 
     A  
        small numeral that prints partly below the baseline; see subscript.  | 
  
   
    | Initial  | 
    The  first 
        letter of a page, chapter, or book set in a display type for decoration 
        or emphasis.   | 
  
   
    | Ink  | 
    The  color bearing 
        material used to print an impression on a page. Offset ink is very thick; 
        whereas inkjet ink is very thin.  | 
  
   
    | Inkjet Printing  | 
    Both  
        low and high price printers that use tiny, variable sized, droplets of 
        ink that are “sprayed” onto paper. Print-on-demand printers 
        use sophisticated inkjet printers. The ink is notoriously expensive.  | 
  
   
    | Ink Rotation  | 
    The  sequence 
        of ink colors in four color printing.   | 
  
   
    | Insert  | 
     An  extra 
        printed leaf, sometimes folded, inserted or tipped into a book or magazine. 
        | 
  
   
    | Intaglio  | 
      | 
  
   
    | Introduction  | 
     Unlike  
        the preface or foreword, the introduction is considered part of the text.  | 
  
   
    | ISBN | 
     International  
        Standard Book Number, a 10 digit, unique numerical book identifier.   | 
  
   
    | Italic  | 
     | 
  
   
    | Jacket  | 
    A  protective 
        wrapper, usually paper, that protects a clothbound book cover. It usually 
        caries the blurb. Also dust wrapper, abbreviated d.w.   | 
  
   
    | Jpeg (.jpg)  | 
    Joint  Photographic 
        Experts Group—a commonly used lossy compression method for digital 
        photographs.   | 
  
   
    | Justify  | 
     To  space 
        out lines of type to fill a specified measure.   | 
  
   
    | Justify all lines  | 
     In  
        computer typesetting, this forces the last line (or a selected line) to 
        be justified.  | 
  
   
    | Justify with center  | 
     In  
        a justified block of text, if the last line is less than the full measure, 
        it will be centered.  | 
  
   
    | Justify with left  | 
    In  
        a justified block of text, if the last line is less than the full measure, 
        it will be flush left.  | 
  
   
    | Justify with right  | 
     In  
        a justified block of text, if the last line is less than the full measure, 
        it will be flush right.  | 
  
   
    | Kern  | 
     The  part of 
        the character extending beyond the body (sort) of type is called a kern.  | 
  
   
    | Kerning | 
     In  typesetting, 
        kerning moves certain pairs of characters closer together, overlapping 
        blank spaces: for example VA, but not EF. See  tracking. 
        | 
  
   
    | Kill  | 
     To  purposely 
        omit text or illustrations. Also, an order to break up the pages melt 
        down the type.   | 
  
   
    | LAB  | 
    (CIELAB, or L*a*b*)  
        A color scheme that most accurately models the human eye. (RGB and CMYK 
        are models based on output devices.) There are three channels; however 
        unlike RGB or CMYK, one channel carries intensity information (similar 
        to a black and white conversion of an image), and the other two channels 
        carry the color information: channel a—negative values are green, 
        positive values are magenta; channel b—negative values are blue, 
        positive values are yellow.   | 
  
   
    | Laser jet | 
     Unlike  
        an inkjet printer, the laser jet uses static electricity to temporarily 
        hold toner particles, which are fused to the paper. Inexpensive and fast, 
        but lacking the print quality of even the least expensive inkjet printers. 
        | 
  
   
    | Latin Alphabet  | 
    Generally,  
        Latin distinguishes our alphabet from other forms like Greek, Cyrillic, 
        etc.   | 
  
   
    | Layers  | 
     In  digital 
        editing software, these are analogous to acetates in animated cartoon 
        making. Each layer (acetate) can be part of the whole, complete, blended, 
        etc.   | 
  
   
    | Layout  | 
    The  conception 
        of a finished job, complete with spacing, type specifications, etc.  | 
  
   
    | Leaders  | 
     A  row of 
        evenly spaced dots designed to carry the reader’s eye across rows 
        of a table, such as a table of contents.  | 
  
   
    | Leading  | 
    Extra  spacing 
        between lines of type. (Pronounced led). For example, 12/12 type (twelve 
        on twelve) is solid, 12/14 type has 2 points of leading.  | 
  
   
    | Leaf  | 
     A  hinged piece 
        of paper consisting of two pages.   | 
  
   
    | Legend  | 
    1)  Descriptive 
        matter accompanying an illustration; whereas a caption, it the title of 
        the illustration or legend. 2) The key to symbols or marks on a map or 
        chart.   | 
  
   
    | Letter Spacing | 
      | 
  
   
    | Letterpress  | 
     Method  
        of printing using a raised surface as the image carrier.   | 
  
   
    | Ligature | 
     Two  or 
        three characters combined on a single type body: e.g. Œ or æ.  | 
  
   
    | Line Copy | 
     Copy  or 
        images, for reproduction which contains only black and white, such as 
        pen-and-ink drawings, type, etc.   | 
  
   
    | Line gauge  | 
     Measuring  
        rule used for copy fitting.  | 
  
   
    | Lining Figures  | 
     | 
  
   
    |  Logotype  | 
     Also  logo. 
        One or more words or combinations of letters, graphic elements, often 
        printed with control colors, that are used to identify a company; a trademark 
        or registered mark.   | 
  
   
    | Lorem Ipsum  | 
    See Greek. | 
  
   
    |  Lossless  | 
     A  compression 
        program for digital images or sound files that allows the exact original 
        data to be reconstructed (opened) from the compressed file. Zip, Png, 
        or psd are lossless. See lossy.   | 
  
   
    | Lossy | 
     A  compression 
        program for digital images or sound files that allows an approximation 
        of the original file when it is reconstructed (opened). Jpeg is lossy 
        compression. See lossless.   | 
  
   
    | Lowercase | 
     The uncapitalized letters of 
      an alphabet, e.g. a, b, c, d, etc.  | 
  
   
    | Machine Finish | 
     See Paper.  | 
  
   
    | Majuscule | 
     Large or capital letters.  | 
  
   
    | Makeready  | 
    In  letterpress 
        work, putting the typeform, zincs, etc. on the press, including leveling 
        the types to get it ready for printing. More generally, getting a printing 
        press ready to print a run.   | 
  
   
    | Makeup  | 
     Arranging  
        type lines and illustrations into page form.   | 
  
   
    | Margin  | 
    The  white 
        space around the printed page: the head, outside, foot, and back (inside) 
        margins. The back margins of the two facing pages are the gutter.   | 
  
   
    | Mask  | 
     In  graphics 
        a mask prevents light or ink from passing through areas of an image. Masking 
        is an integral part of digital image editing and creation.   | 
  
   
    | Master Pages  | 
    In  pages 
        setting software, a page layout, which may include images and text, that 
        can be applied globally to an entire document.   | 
  
   
    | Masthead | 
     A  
        distinctive design, logotype, or style of type used to identify a company. 
        | 
  
   
    | Mechanical  | 
    Paste-up  
        of all the design elements—type, images—as a guide to the 
        printer or as camera-ready copy.   | 
  
   
    | Metamerism  | 
     As  used, 
        more correctly “illuminant metameric failure,” is where certain 
        colors match under one light source but appear differently under another 
        light source.   | 
  
   
    | Midtone | 
     The tones of the image between 
      the shadow ("black")and highlight ("white")areas where 
      most of the image information is.  | 
  
   
    | Minuscule  | 
    Small letters, or lowercase | 
  
   
    | Moiré Pattern  | 
     An  
        interference pattern: 1) caused by halftone screens that are out of alignment; 
        2) that appears when trying to remove a dot pattern in scanned halftone 
        art or when reprinting halftone art copied from an originally screened 
        and printed piece; 3) produced by certain patterns in art (striped shirts, 
        wood cuts, etc.) when scanned. In digital art the effect can be exacerbated 
        by choice of paper, ink, and image dpi.   | 
  
   
    | Monospaced type  | 
     Fixed width, non-proportional, 
      type, e.g. Courier type. | 
  
   
    | Negative | 
     In  graphics, 
        an image whose tonal values are inverted from the original—light 
        areas appear dark, dark areas appear light. In a color negative not only 
        are the tonal values inverted, but the colors are reversed—where 
        red appears cyan, green appears magenta, and blue appears yellow.   | 
  
   
    | Noise | 
     In  film, it’s 
        film grain. In digital images some noise comes from camera sensors; some 
        comes from low quality compression.   | 
  
   
    | Nonlining numerals | 
     See Numerals. 
     | 
  
   
    | Numerals  | 
    
         
          | Arabic numerals are 1, 2, 3, 4, 5, 6, 7, 
            8, 9, 0. When printed like that, where they are each Cap High, they 
            are called lining numerals, or figures.  | 
         
         
          When they are printed where 
            they print more like lowercase letters extending above and below the 
            x-height, they are called non-lining or old style numerals or figures. 
           | 
         
         
          | Roman numerals start I, II, III IV, V, VI VII, VIII, IX, X. In general, 
            they are used in lower case for numbering, i, ii, iii, iv, v, vi, 
            vii, viii, ix, x, the front matter of a book. | 
         
        | 
  
   
    | Oblique | 
     Letters that slant to the right. 
     | 
  
   
    | Octavo | 
     A  book made from standard size 
        sheets, folded three times, forming 8 leaves, and 16 pages. Sometimes 
        for books measuring about 6 X 9 inches. See folio and quarto.  | 
  
   
    | Off-Center | 
     Text or display elements that are not centered 
      on the page or relative to a margin. | 
  
   
    | Offset  | 
     A  printing 
        problem where wet ink is transferred from the top of one sheet to the 
        back of another sheet.   | 
  
   
    | Offset Printing  | 
    A  
        printing process based on the repulsion of oil and water, where the inked 
        image is transferred—offset—from the plate to a rubber blanket 
        to the printing surface.   | 
  
   
    | Old style  | 
     A  term 
        used to describe type styles developed in the early seventeenth century. 
        | 
  
   
    | Old style figures  | 
    These  
        figures vary in size and placement relative to the baseline, similar to 
        lowercase:   (see 
         lining figures)  | 
  
   
    | Opacity  | 
     The  quality 
        of paper that prevents the type or image from showing through from one 
        side of page to the other.   | 
  
   
    | Operators | 
    Signs such as +, -, =, ±, used in mathematic 
      or other scientific texts.  | 
  
   
    | Optical Centering  | 
    The  
        vertical adjustment of an element so that it appears centered: it may 
        be different from measured centering, depending on the shape, color, weight 
        of the element.  | 
  
   
    | Orphan  | 
    See Widow. | 
  
   
    | Outside (of page)  | 
     The outside margin of a 
      page, as opposed to the back (inside) margin or gutter.  | 
  
   
    | Overlay  | 
    A transparent paper 
      or acetate flap that protects art work or gives printing or layout instructions. |