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          Fine art prints by Walton Mendelson 
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          Thomas Moran—Interpretive 
              Reprints™ Fine Art Print Portfolio  | 
         
         
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          16 images, 19 sheets, 22 x 17 
              inches, Epson Ultra Giclée  | 
         
         
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          After working with woodcuts 
              and steel engravings from the mid to late nineteenth century for 
              fifteen years, it is hard not to develop an intense love of that 
              work, much of which is arrogantly dismissed as Salon Art and all 
              of which is sadly disappearing. One of the consistently best artists 
              from publication to publication is Thomas Moran. And today when 
              so much is brought under the tent flaps of ecology, Moran should 
              be remembered for his success at bringing the environment to popular 
              attention.   | 
         
         
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              Thomas Moran, 1837-1926, born in England, but 
                raised in Philadelphia, is often called the father of Yellowstone, 
                so important were his sketches, water colors, and oil paintings 
                to persuading congress to establish the first national park in 
                the world, Yellowstone National Park in 1872, and the National 
                Park System in 1916. Although this work had a narrow audience, 
                woodcuts made of his work and widely published in The Aldine, 
                Picturesque America, Harper's, Century, 
                Frank Leslie's Illustrated Magazine, etc., giving 
                it popular and international awareness. Printed on poor quality 
                paper, these images are quickly disappearing and are seldom reprinted. 
                His style—often compared to the Hudson River School, although 
                he did not agree with the comparison—is characterized by 
                drama, grandeur, and competence. The original woodcuts only hint 
                at the possibilities that the water colors and oils so richly 
                present. Complete Text 
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          Enlarged from approximately 
              10 X 6 inches to as much as 18 X 12 inches, this set of fine art 
              prints, with the use of as many as a dozen masks per image, and 
              a wide variety of photo-editing tools, aims to breathe into the 
              woodcuts the sort of vitality Moran's other work shows.   | 
         
         
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          This Interpretive Reprints™ 
              portfolio showcases the unique approach, care, and expertise we 
              bring to the fine art print. It is the perfect example of what we 
              can bring to your work!  | 
         
         
            
            Approximately 18 hours per image; 365 hours for 
              the total project.  
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            Let me design your book or print your art. Prescott 
              is an email away—contact!  | 
         
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