  | 
    
         
          |   | 
         
         
           | 
         
         
          |   | 
         
         
           | 
         
         
          |   | 
         
         
          
              
                 
                  |   Books for Photoshop  | 
                 
                 
                  |   | 
                 
                 
                  These books presume a basic knowledge 
                      of Photoshop. However, real understanding and proficiency 
                      can only come with patient reading and time following the 
                      examples. The difference between Eismann and Margulis may 
                      be this: Eismann shows you how to use and master the important 
                      tools of Photoshop, whereas Margulis show you how to let 
                      Photoshop do what it does best.   | 
                 
                 
                  |   | 
                 
                 
                  Adobe Photoshop 
                      Restoration & Retouching (3rd ed.): Even if you 
                      use Photoshop to just to "tweak" your photographs, 
                      you are in the world restoration and retouching. Unlike 
                      many books that show you how to do XYZ—quick and easy—real 
                      world images aren't chosen to make easy. Eismann's approach 
                      is steadfast and complete. You won't lean how to fix only 
                      the sample image, you'll learn how to fix any image.  | 
                 
                 
                  Photoshop Masking 
                      & Compositing:  Eismann's premise is simple, almost 
                      everything you do in Photoshop involves masking, even if 
                      you never make a mask! Adjustment layers come with layer 
                      masks; a selection is a mask; working with layers is a kind 
                      of masking.   | 
                 
                 
                  Photoshop LAB Color: 
                      Dan Margulis will introduce you to a real world Wonderland—LAB. 
                      A color space that is both utterly logical and surprisingly 
                      fantastical. You may not use LAB as often as proposed, but 
                      if you follow the examples, you'll keep it handy.  | 
                 
                 
                  Professional 
                      Photoshop: Although Dan Margulis's approach seems opposite 
                      to Eismann's, I find them thoroughly compatible. What distinguishes 
                      Margulis from almost everyone else writing about Photoshop 
                      is that he want you to understand the world of color and 
                      how Photoshop controls or is controlled by it.   | 
                 
                 
                  |   | 
                 
               
              | 
         
         
          
               
                |   
                    | 
                 
                    | 
                  
                    | 
                  
                    | 
               
               
                |   | 
               
               
                Professional 
                    Photoshop 6: A precursor to Professional Photoshop, 
                    listed above. Perhaps not as up-to-date, but if you master 
                    this, you've mastered a lot. While Photoshop has evolved since 
                    Photoshop 6, the primary concern is still color. And, you 
                    can't beat the price!  | 
               
               
                Photoshop 
                    Restoration & Retouching (2nd ed.): Although the 
                    3rd edition, listed above, is more up-to-date, and a lot of 
                    the examples are different, the 2nd edition is invaluable, 
                    and you can get it for a lower price.   | 
               
               
                 | 
               
               
                 | 
               
               
                |   | 
               
               
                |   
                    | 
                  
                    | 
                  | 
                  | 
               
               
                |   | 
               
               
                 | 
               
              | 
         
         
           | 
         
         
          |   | 
         
         
           | 
         
         
          |   | 
         
         
             | 
         
         
          |   | 
         
         
          |   | 
         
         
          |   | 
         
         
          
		    | 
         
        | 
      |